Most people have heard of progressive rock (or prog rock, or simply prog) but the great majority of them treat it with mild disdain (at best) or outright hatred (at worst). Most of the criticism is a mindless rejection based on current trends and a misunderstanding of the genre; “dinosaur” is a common term of abuse, neatly parodied by Adrian Belew on King Crimson’s 1994 album Thrak


There is an increasing quantity of literature on the subject, ranging from the analytical or academic (Edward Macan, Rocking the Classics; Kevin Holme-Hudson, Progressive Rock Revisited) to the fairly straightforward lists (Charles Snider, The Strawberry Bricks Guide to Progressive Rock.) There are also thousands of fans out there who not only continue to attend concerts, but also contribute to a growing network of fanzines and on-line forums. Fans are even served by Prog, a glossy magazine from Future Publishing now in its ninth year, entirely devoted to prog in all its forms


The ProgBlog has been put together to encourage discussion about progressive rock music illustrated by personal observation


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Latest Blog: Norway plus (10/4/19)

Gary Bennett - Are We There Yet?


ProgBlog DISCovery

The original aim of the blog was to promote discussion about all and any facet of progressive rock but from time to time, bands and musicians contact ProgBlog with new prog-related material that they want to expose to a wider audience; ProgBlog's album of 2017 An Invitation by Amber Foil was one such approach


The DISCovery section has been introduced to better serve the requirements of musicians who contact ProgBlog with the aim of increasing the audience for their music; without music there can be no discussion of music

WALFAD (We Are Looking For A Drummer) was founded in 2011 by Wojciech Ciuraj. This young band from Wodzislaw Slaski has now recorded four albums, including 2018’s Colloids, all of which have been warmly received both in Poland and around the world


Intense concert activity has increased their popularity and in recent years they have shared the stage with leading homegrown bands playing ambitious rock and also with Procol Harum, Marillion, Riverside and Ray Wilson. Labelled “a new force in Polish progressive rock” by music journalists, they insist their work, though centred in modern progressive rock, transcends genres with passionate melodies, youthful energy and thought-provoking lyrics


A complete biography of Walfad and a review of Colloids can be found here


Amsterdam - King Crimson 1MG_7866-Edit Wobbler

Gary Bennett (Yak, Oktober) has just put out a 24 minute-long instrumental track Are We There Yet? playing all instruments apart from bodhran (provided by Fez Powell). It has the feel of an early 70s epic, carefully built up in layers and employing the appropriate choice of instrumentation, incorporating four themes which appear throughout the piece.

It’s a very satisfying piece of music that should appeal to fans of Camel, Gordon Giltrap, Steve Hackett, Jon and Vangelis and Mike Oldfield

Read about it and watch the video here

Are We There Yet